60. John Gully 1819 - 1888
Otira Pass
Watercolour
82 x 66.5 cm
Signed & dated 1879
est. $30,000 - 40,000
Relative Size: Otira Pass
Relative size

Provenance: New South Wales Art Gallery purchased this watercolour from the Otago Art Society, 1879. Original New South Wales Art Gallery label affixed verso. De-accessioned 1958. Held in the same collection since.

Exhibited: Otago Art Society, 1879, Wairarapa Art Exhibition, Masterton, 1962, no. 126a, V E Donald Collection.

Reference: p. 135 'New Zealand's Romantic Landscape Paintings' by John Gully, Compiled and written by the artist's great, great grandson John Sidney Gully, Millwood Press, Wellington, 1984 Reference no. G79/3

Gully immigrated to New Zealand from Bath in 1852 accompanied by his wife Jane and their three children. The family settled in Omata, Taranaki where they purchased the Omata Store in 1854. Sadly, lack of trade resulted in bankruptcy and the family's relocated to New Plymouth. Gully advertised his availability to paint views of properties for sending abroad and served as a volunteer during the Land Wars. He was invalided out of the army as the conditions were too severe for his constitution. In 1860 the Gully family left New Plymouth for the city of Nelson, purchasing a house in Trafalgar Street with a large orchard and garden. It was here that the artist spent the rest of his life. Gully was encouraged by the geologist Julius von Haast, who commissioned twelve watercolours of the mountains and glaciers of Canterbury. These watercolours were used to illustrate a lecture given by Haast at the Royal Geographical Society in London in 1864.

Gully became part-time drawing master at Nelson College. Later, through the assistance of politician and artist James Crowe Richmond, he was appointed full time draughtsman to the Nelson provincial survey office.

During his lifetime Gully enjoyed popularity and success as an artist, today he is regarded as one of New Zealand's foremost landscape painters.

Working almost entirely in watercolour, Gully's field trips yielded a legacy of many finely worked sketch-books full of careful pencil studies and numerous quick-wash drawings both in colour and sepia. Large scale watercolours became immensely popular as centre-pieces at art society shows. Today only a few such works remain in private hands. Gully enjoyed recognition and success in his life time. All of Gully's watercolours submitted to the 1865 New Zealand Exhibition in Dunedin sold prior to the exhibition opening. He exhibited at the British Royal Academy in 1871. In 1873, nine paintings were sent to the New Zealand Court at the International Industrial Exhibition in Vienna. In 1886 he exhibited at the India & Colonial Exhibition in London and the Intercolonial Exhibition in Melbourne. He also exhibited works with the Society of British Watercolour Artists in London.

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